Rob Redman demonstrates how you can light a scene realistically and predictably
Add splashing liquids to your scene with Phil Nolan’s in-depth guide to creating realistic fluid simulations
3D animation meets graphic design as Tim Clapham shows you how to animate and composite a pro-quality logo sequence
Rafael Vallaperde shares the production process behind his atmospheric illustration of an octopus
Rob Redman reveals how to use Cinema 4D’s Edge to Spline command and take the pain out of cage-building
VFX artists Miguel Ortega and Tran Ma reveal how they created their Wizard of Oz inspired short film in Maya
James Cutler explains how to improve your renders in V-Ray by taking control of the sampler settings
Make an impact with Ola Madsen’s technique for making your geometry pulsate with power
James Cutler takes you through all the steps towards making your beauty pass properly beautiful
Improve your mograph workflow with advice from Michaeljohn Day of animation studio Art & Graft
Mike Griggs is here with some modo tips to prevent your massive battlecruiser from looking like an escape capsule
Want to learn how to tame a tornado? Mike Griggs explores the fundamentals of particle simulations
Antony Ward takes you beyond the standard options for a glow effect where you can fully control how it looks
Is your LightWave IK going all flippy and twitchy? Follow Craig Monins’ guide and get it all running smoothly
Want to explore strange new worlds? Medical computer graphics enables you to do just that, says Mike Griggs
