James Morris finds that this updated configuration is simply the most powerful modelling workstation we’ve ever tested
Streaming large volumes of media is becoming increasingly common. Rob Redman tests the G-RAID to see if it can keep up
Whether you’re modelling or rendering, this workstation has power to spare. James Morris tries it out for size
Lance Evans reckons that a powerful and evolutionary upgrade, plus a few kicking features, make this a very impressive release
This software launch promises to be a new tool for a new 3D workflow. Has the future finally arrived? Mike Griggs finds out
James Morris finds that the RS-D2850 is a cost-effective and compact way of providing network rendering for a small studio
Mastering V-Ray can be hard, but Mike Griggs finds that SolidRocks can help those starting out
The latest Venom provides all-conquering performance in every department – but you pay for the privilege, says James Morris
Rebecca-Louise Leybourne from The Imaginarium looks at how the improvements in Blade are setting new standards in mocap
Christopher Kenworthy is impressed by a single-click technology that syncs audio and video from multiple cameras
Nuke is at the centre of many high-end VFX pipelines, but does Nuke 7.0 offer enough to stay there? Mike Griggs finds out
Has the iPad become a viable animating tool? Rob Redman finds out when he tests this innovative 3D app
Creating verdant scenes with natural chaos? Then Rob Redman thinks Evermotion might have just the product for you…
With its powerful node-based workflow, Substance Designer is a new kind of texturing application. Mike Griggs checks it out…
Unity is seen as the artist-friendly game engine. Mike Griggs investigates whether version 4 has enhanced its appeal…
