Dell presents an industrial-strength machine in the Precision Workstation T7600. James Morris finds out if it’s worth the outlay…
Rob Redman delves into cmiVFX’s latest training course to see whether he can learn anything new about Cinema 4D
3D artist Rob Redman creates detailed and complex environments using tricks and tips from this Gnomon training course
Rob Redman investigates a fun and simple facial animation tool from Reallusion that turns out to be surprisingly useful
The Quadro K5000 offers a big leap in modelling performance, but James Morris finds that it’s not a clear winner in every area
An unusual 3D shape generator that works at lightning speed. Christopher Kenworthy believes it has huge potential for mograph
Steve Jarratt puts the latest incarnation of the HDRI creator through its paces, and finds the results very illuminating
Alan Marques takes a look at iClone5.3 to check out the headline features and see if some of the old quirks have been ironed out
3D artist Rob Redman looks at Gnomon’s cinematic lighting training course to see what he can learn
Light and render your model in real time with this tool from Marmoset. Mike Griggs finds out if the future has arrived
On the ten-year anniversary of the original release, Simon Reeves explores whether V-Ray fits neatly into Autodesk’s Softimage
Is this Cintiq worth its high price tag? Rob Redman gets to grips with a new interactive pen display from Wacom
Texture artist Amanda Bone finds that the latest version of The Foundry’s digital painting tool adds to its strengths
An upgrade brings this plug-in up to date. Christopher Kenworthy welcomes the new features, but believes this is no revolution
An After Effects plug-in that lets you add real 3D objects and manipulate them in real time? Steve Jarratt investigates
