In our CG Awards, we are offering you the chance to suggest nominations in each category via our social media channels. We’ve earmarked a few for Arch-viz Still of the Year, but you may have different ideas. Let us know!
Create realistic movement for a muscular character by taking advantage of the muscle creation system built into Maya
Aardman combined 2D and 3D seamlessly in this promo for folk trio The Staves
Watch this gorgeous animated scene from Legend of Sealed Book done in UDK by artist Baolong Zhang
Daiichi means ‘number one’ and this guy excels at sword and hand-to-hand combat. A memorable name and image
Art meets tech in this wonderful demoreel from German artist Tim Borgmann, who also worked on Nissan’s explosive 2013 Altima ‘Wouldn’t it be Cool?’ campaign last year…
In our CG Awards, we are offering you the chance to suggest nominations in each category. Today it’s the ever-controvesial CG Commercial Campaign of the Year
Retopologising a model may seem like a chore, but as Mike Griggs reveals, it’s a key aspect of the 3D workflow
Beatiful images by freelance 3D artist Titouan Olive. Find out about the ZBrush, Maya and Photoshop pipeline used to create Mermaid
This wonderful space with all the details therein would suit any lucky family. Have a good look around
Disney used innovative CG techniques for its Oscar-winning short Paperman, animation supervisor Patrick Osborne tells Mark Ramshaw
In our CG Awards, we are offering you the chance to suggest nominations in each category. Today it’s VFX feature films – which ones rocked your world?
Barcelona-based creative agency Trizz stirs the senses with this fully CG spot for drinks brand Renuage
What’s best for starting a sculpt in ZBrush: ZSpheres, DynaMesh or a base mesh? Wes McDermott gives some pointers
In our CG Awards, we are offering you the chance to suggest nominations in each category. Today we’re looking at animated feature films: here are some which caught our eye – but what did you think?
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