UPDATED: Making-of guide to creating Dinner Dream by 3ds Max artist Amir Akbarshahi. Discover more about this joint effort where character modelling skills and environment creation combine to create a fun image
Read excerpts from our interview with leading figures at Weta Digital about their work on The Hobbit: An Unexpected Journey, with a particular focus on the making of Gollum
See more artwork from art director, concept artist and matte painter, Dylan Cole, created for his new book, The Otherworldly Adventures of Tyler Washburn. Find out all about the art and artist here…
Pixar’s latest movie Brave takes cloth simulation to the next level. Barbara Robertson talks to the team behind the studio’s FizT technology…
Rise of the Planet of the Apes is just one of the movies up for a VFX Feature Film Award in our CG Awards 2012. Mark Ramshaw speaks to the team responsible for ensuring that Rise of the Planet of the Apes raises the CG bar once again
The Moving Picture Company, Framestore and Method Studios employ new techniques and state-of-the-art technology to create fierce creatures, animated environments and a fiery monster for Wrath of the Titans. Barbara Robertson meets the artists behind the effects
The BBC has unveiled the title sequence for the London 2012 Olympic Games created by Passion Pictures and it looks awesome! Check it out now…
Fuel VFX delivered 150 visual effects shots for the latest blockbuster from Marvel Studios. We caught up with Fuel VFX’s CG supervisor Mike Bain and executive producer Jason Bath to ask them how they created the Loki-Thor fight sequence and more…
Out on DVD this week, Jonathan Liebesman’s Battle: Los Angeles shows the nightmare of war becoming a reality. Cinesite and SPIN VFX talk about the challenges surrounding the creation of full on combat sequences in a documentary-style film
Several sessions at last week’s FMX conference dealt with creating humanistic characters. Double Negative took the opportunity to discuss the studio’s approach to Paul
With little over a week to go before Wrath of the Titans hits the big screen, we take a look at Warner Bros’ 2010 offering, Clash of the Titans, and discover how the stop-motion epic was updated for the CG era
Joeri Christiaen, director of upcoming animated short 850 Meters has invited the online community to follow the project through a series of Vimeo-released ‘making-ofs’
Happy Finish, the London based CGI and effects house, releases a making of video for its latest print campaign for Mercedes
Last year 3D World went behind the scenes at the Blender Institute to find out how Sintel, its most ambitious open movie to date, was able to snatch victory from the jaws of defeat
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